Outdoor paint makeover kit – everything you have to remodel your outside house with paint
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While such approaches have been necessary for problematizing hegemonic mobilizations of “house”, there may be additionally a hazard in studying motion as constitutive of the (post)modern world. In particular, such frameworks often overlook the experiences of those that are forcibly displaced. Critical investment in tropes of migrancy might unwittingly recycle imperialist assumptions by producing imagined spaces of alterity that serve to liberate the centred, “at home” subject at the expense of historicized experiences of homelessness. Abdulrazak Gurnahs 2001 novel By the Sea represents one such historicized expertise, that of its protagonist, asylum seeker Saleh Omar. This article argues that, via its narrative funding in homes and household objects and within the importance of narrative for creating a way of house for its migrant protagonist, Gurnahs novel poses a challenge to an aesthetic valorization of displacement.