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In another gallery, a big-scale, two-display movie presentation takes visitors inside quite a lot of contemporary architect-designed properties. In the ultimate gallery, interviews with builders, contractors, residents, and actual-estate brokers give guests a different type of have a look at six communities. The National Building Museum presents House & Home, a kaleidoscopic array of images, objects, models, and movies that take us on a tour of houses each familiar and shocking, via past and present, difficult our ideas about what it means to be at home in America. Remarkable transformations in technology, legal guidelines, and consumer culture have brought about monumental change in American domestic life.
A burgeoning cross-disciplinary literature signifies a transfer in the direction of diversifying understandings of the meanings of ‘home’. While earlier work has thought-about meanings of homelessness, makes an attempt to advance understandings of the connection between home and homelessness have been sporadic.
While such approaches have been important for problematizing hegemonic mobilizations of “residence”, there’s additionally a danger in reading movement as constitutive of the (submit)modern world. In particular, such frameworks usually overlook the experiences of those who are forcibly displaced. Critical investment in tropes of migrancy might unwittingly recycle imperialist assumptions by producing imagined spaces of alterity that serve to liberate the centred, “at house” subject on the expense of historicized experiences of homelessness. Abdulrazak Gurnahs 2001 novel By the Sea represents one such historicized experience, that of its protagonist, asylum seeker Saleh Omar. This article argues that, by way of its narrative investment in houses and household objects and within the significance of narrative for creating a way of house for its migrant protagonist, Gurnahs novel poses a challenge to an aesthetic valorization of displacement.
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